WEBLINKS
IMAGE GALLERY
A stone relief of three seated camels. They are loaded with heavy bags.
A relief showing three seated camels from Palmyra, Syria.
A mosaic with a peacock surrounded by swirling leaves in greens and orange.
This mosaic from Tunisia shows a brightly-coloured peacock.
The central panel of a mosaic. It is framed by an octagonal border with a twisted pattern. In the centre are many animals including an elephant, giraffe, and lion.
Part of the Lod mosaic in Israel. Which animals can you spot?
A rectangular gravestone with a small boy wearing a toga in the centre. Next to him stands a small dog. Some owners included dogs in their funeral statuary, like this tombstone for Anthus.
A mosaic showing a domestic cat attaking a bird. A cat hunts a bird on this mosaic from the House of the Faun, Pompeii.
A painting of a woman. She has dark hair arranged on her head in curls and she wears pearl earrings and a choker necklace.
This woman from Egypt has pearl earrings, a hairpin studded with pearls, and necklaces of gold, pearl, and emerald. This portrait was painted for her tomb.
A painting in a circular frame showing a woman holding a writing tablet in her left hand and a stylus in her right.
A girl in a wall painting from Pompeii, with a gold hairnet and gold earrings. Many women had pierced ears.
A golden bracelet in the shape of a snake wrapped round on itself. Bracelets in the shape of a snake, like this one from Egypt, were popular. One found in Pompeii was engraved with the words: dominus ancillae suae. Snakes were regarded as protective.
A gold ring with a dark-red stone inset on top. Carnelian, a red semi-precious stone, was a favourite for signet rings because hot wax does not stick to it; it was also relatively cheap, and believed to have magical powers. This ring has a carnelian intaglio with a female portrait.
The dark red stone set in a gold ring. The portrait of a woman is carved into the stone. Carnelian, a red semi-precious stone, was a favourite for signet rings because hot wax does not stick to it; it was also relatively cheap, and believed to have magical powers. This ring has a carnelian intaglio with a female portrait.
A gold necklace linked with a deocrative clasp at the top. It has a hangind pendant in the shape of a crescent moon. This pendant in the shape of a crescent was an amulet (good-luck charm) to protect the wearer from harm. Amulets were worn by adults and children.
A green brooch in the shape of a cockerels seen from the side with decorated body and a bright eye. Brooches (fibulae) were essential for fastening cloaks, but could also be decorative. Brooches in the shape of animals were a popular style all over the Empire in the second century ad. This one, from Gaul, is made of copper, with details picked out in enamel.
A handmirror with a narrow handle and a circular top. The front of a silver handmirror, from the 1st century ad. It would have been polished to give a clear reflection.
A handmirror with a narrow handle and a circular top. The back of a silver handmirror, from the 1st century ad. It would have been polished to give a sharp reflection.
A stone bust of a woman seen from the front. Her hair is piled high on top of her head in curls. A bust of a wealthy woman from the late first century ad, from the front.
A stone bust of a woman seen from behind. Her hair is arranged in a complicated style wrapped around at the back. A bust of a wealthy woman from the late first century ad, from the back.
A metal head of a young man. It has become dark and green-coloured over time. The hair is arranged in locks on the forehead and the whites of the eyes stand out brightly. The Meroё head of Augustus.
A dark metal coin with the side profile of a man with a pointed beard and a band tied around his head. Coin of Masinissa, king of Numidia.
A fragment of red-coloured stone with an engraving of a woman standing side on with an elaborate headdress. To the right of head head is a column of script. A votive plaque from Meroë. The inscriptions are in Meroitic script.
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